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What Happened to Monday?
The one child policy has taken over the globe, the world is perceived overpopulated. Six septuplets must go undetected in search of their sister.The government have got eyes everywhere
1984, Lagos, Nigeria
24 May 1981, Paris, France
22 July 1955, Appleton, Wisconsin, USA
11 May 1979, Romania
1980, Moss, Norway
August 20, 2017
This is a B-movie through and through, with a taste for whoop-ass. Is the action good? Well, in the beginning, at least.August 17, 2017
[Tommy Wirkola] keeps What Happened to Monday moving quickly enough that it's relatively easy to overlook the problems in its conceptualization.August 17, 2017
The film isn't as provocative as it means to be, but it gets a lot of juice from Rapace's multifaceted performance and an "anything goes" approach to plot.August 16, 2017
Silly, fast-paced, fun. Noomi Rapace hasn't been this charismatic since THE GIRL WITH THE DRAGON TATTOO.August 17, 2017
[Rapace] gives seven performances; at least four are good. It's an audition for smarter roles than Hollywood's been giving her, maybe. Or maybe it's a wigstore-raiding lark.August 18, 2017
Wirkola stages a few excellent set pieces and Rapace is fantastic, but the general lack of entertainment value has to be considered disappointing given the potential of the entire piece.August 10, 2017
[Noomi Rapace] manages to turn a derivative sci-fi movie into something slightly more exciting.August 17, 2017
The disappointment of what What Happened to Monday could have been dogs this movie as it navigates safe, predictable roads through an unsurprising twist to a preordained ending.August 18, 2017
It's fun to watch Noomi Rapace act against herself six times over and her game performances in the midst of fast-paced action make "What Happened to Monday?" a mostly enjoyable thriller.August 15, 2017
You know you've done something remarkable when you make a Nazi zombie film and your follow-up is less believable.August 18, 2017
Lands somewhere in a creative middle ground. Part fugitives-on-the-run thriller, part post-apocalyptic familial drama, Wirkola's latest is a perplexing amalgamation.August 17, 2017
Twisty and pitiless, but it retains Wirkola's interests in aggressive confrontations, often sold with subtle cheekiness.