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We Own the Night
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DIRECTORS OF "We Own the Night"
We Own the Night
CRITICS OF "We Own the Night"
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Movies.com
Resource

July 06, 2010

Director-writer James Gray makes it all seem more urgent than it has any right to feel, because he knows how to make tense, violent dramas that are soaking in mood.
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Film and Felt
Resource

December 20, 2009

If We Own the Night is flawed and somewhat choppy, it served notice that Gray, once he refined his technique, would be a force to be reckoned with in the cinema world.
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Time Out

January 18, 2008

[Gray's] feel for dialogue has rarely failed him, and it doesn't here.
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Watertown Daily Times
Resource

July 22, 2008

Although We Own the Night is never as suspenseful as it wants to be and can be a little formulaic, it never comes close to being boring, and that's something you can't say too often about movies these days.
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Denver Post

October 20, 2007

As flat-footed as writer-director James Gray's script often sounds, his cops-vs.-mob tale can be strangely mesmerizing.
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NPR.org
Resource

October 18, 2008

It's not surprising, but it's engaging enough that most patrons will likely cut the director some slack for the out-of-period details and convoluted plot contrivances that make the film seem at once sloppy and too neat.
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CNN.com
Resource

October 20, 2007

Time will tell, but from where I'm sitting this deceptively routine cop movie runs deep. In fact, it already looks like a classic. Cagney and Tracy would be proud.
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Time Out
Resource

December 13, 2007

A desperate violence and urgency spills out in the film's flash-point set-pieces - not least a sensational car chase, shot through a windscreen, hammering rain and a blur of fear.
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Boston Phoenix
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July 06, 2010

This is a man's movie: gritty, macho, and lacking in grace.
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Salon.com
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July 06, 2010

An intriguing blend of mainstream audience-pleaser and a more subtle, even intellectual agenda.
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Future Movies UK
Resource

October 18, 2008

A generic thriller that aims for deeper resonance, We Own The Night is an intriguing feature, undermined by a plot that stretches credulity, yet which still manages to conform to predictable gangster flick cliché.
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