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The Women
A study of the lives and romantic entanglements of various interconnected women. In the eternal battle between the sexes, one side holds an overwhelming advantage: Armed with razor-sharp wit and wielding gossip as a weapon, victory can only go to The Women.
December 4, 1899 in Wheeling, West Virginia, USA
22 October 1917, Tokyo, Japan
5 January 1890, New Orleans, Louisiana, USA
27 July 1901, Pittsburgh, Pennsylvania, USA
27 May 1879, Québec City, Québec, Canada
August 7, 1883 in Dessau, Germany
13 August 1873, San Francisco, California, USA
May 29, 1881 in Washington, District of Columbia, USA
13 November 1919, Alton, Illinois, USA
5 September 1882, London, England, UK
4 June 1907, Waterbury, Connecticut, USA
10 November 1885, Beaufort, South Carolina, USA
September 12, 2008
Isn't quite as nasty as it probably could have been, coming several years after the establishment of the Hays Code, but it's still plenty witty.July 20, 2007
a bitchy but endearing mix of comedy and melodrama. Norma Shearer holds the chaos together with improbable dignity.September 11, 2008
[Cukor is] at his best with a cast that includes Rosalind Russell, Norma Shearer, Joan Crawford, Hedda Hopper, Ruth Hussey, Paulette Goddard, and Joan Fontaine.June 23, 2006
Cukor's all-star version of Booth's stinging play is all about wisecracking cattiness of wives and mistresses (of the upper class), confirming men's suspicions of what women talk about when they are not around.January 26, 2006
A more eccentric film than the following year's The Philadelphia Story, with which it shares a couple of faces, it's almost as fabulous.September 11, 2008
The catty banter and Wildean aphorisms (some of them contributed by Anita Loos) are delivered with impeccable timing by a cast only MGM could have mustered.May 31, 2014
A pretty superb and remarkable film...May 30, 2008
Picture however holds passages that slow movement down to a walk.September 11, 2008
Directed by Cukor with his trademark elegance, and proof of the filmmaker's famed ability to direct female actresses, this sparkling satire on backbiting, privileged women continues to delight.September 11, 2008
A film that deserves to be seen (or seen again).January 17, 2007
It's the irrevocable women's pic of the 1930s.