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The Whole Ten Yards
After faking his death, former killer-for-hire Jimmy 'The Tulip' Tudeski retires to Mexico with his new wife, while his ex-wife settles down with Nicholas 'Oz' Oseransky, Jimmy's old pal. Jimmy's life is shaken up by Oz when his wife has been kidnapped by a Hungarian mob...
11 April 1970, Syracuse, New York, USA
12 November 1953, Alhambra, California, USA
28 February 1971, Camden, New Jersey, USA
7 July 1964, Orange County, California, USA
11 January 1972, New York City, New York, USA
3 February 1994, Los Angeles, California, USA
15 August 1974, Springdale, Newfoundland, Canada
19 August 1969, Williamstown, Massachusetts, USA
14 February 1950, Evanston, Illinois, USA
December 29, 2010
This appalling mess of a movie just isn't funny.
April 19, 2009
Proof that most sequels should be avoided, "The Whole Ten Yards" vaporizes the humor of its superior 1999 precursor.
April 13, 2004
A heavily made up Kevin Pollak -- (over)playing a Hungarian gangster -- best sums up the mood: 'Thees ees reminding me of my favoreet soup opera.'
April 01, 2006
The script is so bland it barely musters a whole ten laughs.
April 09, 2004
Will go anywhere for a gag.
April 17, 2004
Inconsistencies in tone are minor when compared to the confusion created by the editor's butchery.
April 09, 2004
Leaden, laugh-free, lacking anything resembling a heart, mind or soul.
April 12, 2004
... an utter disaster.
April 29, 2009
Unfunny, badly acted, and made solely for the purposes of big paychecks this film is just utterly embarrassing and nonsensical. This is mindless drivel, without being able to call itself a guilty pleasure.
October 05, 2005
While most sequels have nowhere to go, this sequel has nowhere it wants to go, and while most movie failures are unoriginal, this mess is simply uninspired.
January 08, 2007
Every joke is stretched to the breaking point, and no one seems to be having any fun.
October 18, 2008
Mostly overacted and overblown, the script tries to make 'outlandish' into outrageous but hardly ever manages it. Missing is the element of some discernible sense of reality that is essential to black comedy.
