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The Tales of Hoffmann
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The Tales of Hoffmann

Description
The film tells three romantic love stories of Hoffmann with three of his woman in the past, Olympia, Giulietta, and Antonia. Although Hoffmann gradually lost each of the woman, however, he gained poetic inspiration as a result, allowing him to transform painful experiences into art.
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The Tales of Hoffmann
CRITICS OF "The Tales of Hoffmann"
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Monthly Film Bulletin
Resource

December 12, 2015

The obvious care and effort that have gone into Hoffmann, the sometimes memorably contrived passages of virtuosity in the first half, make one reluctant to insist on the collapse of the work as a whole.
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Observer (UK)
Resource

March 01, 2015

Encore!
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Los Angeles Times
Resource

March 12, 2015

"Hoffmann" is an immersive aesthetic experience best thought of as an art form all its own.
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Radio Times
Resource

February 26, 2015

Only the slightly muddled structure detracts from what is otherwise an audacious cinematic experiment.
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AV Club
Resource

November 26, 2012

One of the most completely realized marriages of color, movement, and music in the medium's history.
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Chicago Tribune
Resource

April 16, 2015

The film will never rank among my favorites in the careers of these filmmakers, but filmmaking legends as diverse as Cecil B. DeMille, Martin Scorsese and George A. Romero all adore it ...
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Chicago Reader
Resource

November 26, 2012

Hard to take, despite the clear personal commitment of director Michael Powell and the enormous amount of talent on display in the photography, set design, and choreography.
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Time Out
Resource

February 23, 2015

As a work of pure, imaginative cinema, it comes close to genius.
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Movie Dearest
Resource

March 13, 2015

A gorgeous (2015) digital restoration. A fun, wittily directed and technically impressive achievement.
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Guardian
Resource

February 26, 2015

You might compare this to the 1948 Powell and Pressburger film The Red Shoes, though in many ways it is even more hallucinatory.
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Seattle Times
Resource

April 23, 2015

Most if not all of these performers have since died; here, they live on.
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Times (UK)
Resource

February 27, 2015

It's a work of hysterical excess and flamboyant extravagance and it feels unlike pretty much anything else you will ever see in a cinema.
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