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The Myth of the American Sleepover
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The Myth of the American Sleepover

Description
The film centers on four young people having the last night of freedom before they must come back to school. They have an adventure to explore the suburban wonderland where they have forgotten experiences: first kisses, parties, popularity.
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CRITICS OF "The Myth of the American Sleepover"
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Japan Times
Resource

August 24, 2016

Sleepover is evocative but a little underwhelming.
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London Evening Standard
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August 31, 2012

Nicely acted, beautifully shot, ultimately disappointing ...
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Detroit News
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August 05, 2011

The Myth of the American Sleepover is an indie movie-lover's dream, one of those rare instances where a lack of budget and experience is trumped by heartfelt vision, natural talent and amateur enthusiasm.
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Financial Times
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August 30, 2012

David Robert Mitchell's moodily magical first feature.
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Salon.com

July 23, 2011

A one-of-a-kind teen movie, which captures that distinctive moment in adolescent life when nostalgia, loss and anxiety begin to populate one's consciousness with ghosts.
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Boston Globe
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September 01, 2011

I remember 15. It was a mess. Mitchell's movie serenely amplifies the mess.
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Christian Science Monitor
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July 22, 2011

I can sympathize with the need to connect with teen audiences without having to resort to the usual antics, but the answer is not to swap the real world for a patently fake one.
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Los Angeles Times
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July 29, 2011

With "The Myth of the American Sleepover," first-time writer-director David Robert Mitchell tells a coming-of-age tale with such freshness and such bemused insight it's as if it has never been told before.
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Observer (UK)
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September 03, 2012

It's an unsentimental debut of some promise and it has the ring of truth.
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Daily Telegraph (UK)
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August 30, 2012

A likeable cast of unknowns wriggle convincingly through the awkwardness of late adolescence in first-time director David Robert Mitchell's low-key indie drama.
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Time Out
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August 28, 2012

There's a lot to like here - not least disarmingly natural performances from the mostly non-professional actors.
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Guardian
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August 30, 2012

Writer/director David Robert Mitchell's sweet, sexless drama.
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