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The Long Goodbye
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The Long Goodbye
CRITICS OF "The Long Goodbye"
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LarsenOnFilm
Resource

December 09, 2014

A playful de-romanticizing of the detective genre...
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Not Coming to a Theater Near You
Resource

October 14, 2011

A reminder that meaning, if it is to be found at all, is not always revealed through a linear assessment of hints and clues, but simply stumbled upon.
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New York Times

May 20, 2003

[Altman] attempts the impossible and pulls it off.
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San Francisco Examiner
Resource

January 11, 2009

Robert Altman's labyrinthine take on the Raymond Chandler classic is noir unburdened by a straight narrative - it's a triumph of atmosphere and attitude, a swiftly unfolding whodunit punctuated by subversive absurdities and shattering acts of violence.
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Arkansas Democrat-Gazette

January 04, 2015

... one of those movies that always flits through my mind when someone asks me to name my favorite movies of all time. I usually don't mention it, but it's always there, on the periphery. It's at least one of my two or three favorite Altmans.
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Chicago Sun-Times
Resource

October 23, 2004

It tries to be all genre and no story, and it almost works.
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The Dissolve
Resource

December 15, 2014

The Long Goodbye as a whole peels back the surfaces of private-eye stories, paying special attention to their macho bluster and abused women.
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ColeSmithey.com
Resource

December 08, 2016

Robert Altman made a bold statement in his casting of Elliott Gould as a Jewish version of Raymond Chandler's Philip Marlowe character in this modestly budgeted film.
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CinePassion
Resource

August 12, 2013

Robert Altman orchestrates a jangly genre autopsy, mischievous and brutal
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The Stranger (Seattle, WA)
Resource

July 11, 2007

Everywhere you look, there's something delightfully weird going on ... Altman and company fashion a state of slouching, freeform Zen that no one else has ever really duplicated.
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New Yorker
Resource

April 18, 2016

Raymond Chandler's sentimental foolishness is the taking-off place for Robert Altman's heady, whirling sideshow of a movie, set in the early-seventies L.A. of the stoned sensibility.
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Laramie Movie Scope
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February 04, 2010

The look, the unconventional cast and the unconventional story make this a unique film, one of Altman's best.
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