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The Forest
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The Forest

Description
When her twin sister disappears in Japan's Aokigahara forest, where people go to end their lives, a young American named Sara becomes determined to find out what happened to her, only to confront supernatural terror.
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CRITICS OF "The Forest"
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Salt Lake Tribune
Resource

December 31, 2016

Alas, there's no real sense of tension as the story (credited to three writers) lurches toward a by-the-numbers ending.
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Pajiba
Resource

November 11, 2016

There's absolutely nothing to it.
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Associated Press
Resource

January 14, 2016

Pretty bad, even for a January release.
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RTÉ (Ireland)
Resource

July 26, 2016

The eminently watchable Natalie Dormer is front and centre in the new psychological horror from first-time director Jason Zada, but you can't help but think that the actress deserved better.
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New York Magazine/Vulture
Resource

January 10, 2016

Any compelling sense of unease is ultimately undone as the film gradually settles for tedious schlock.
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The Atlantic
Resource

January 21, 2016

With no compelling characters, scares, or plot points to redeem The Forest, the best option for those ​curious about Aokigahara is probably to watch a 20-minute 2005 VICE documentary about it.
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ReelViews
Resource

January 08, 2016

The Forest boasts a promising premise but squanders most of its goodwill as a result of narrative shortcuts and contrivances, horror film clichés, and haphazard editing.
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Chicago Sun-Times
Resource

January 14, 2016

"The Forest" delivers as a healthy dose of psychological cinematic terror and an impressive first feature directing effort.
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Irish Independent
Resource

December 05, 2016

The Forest plunders the J-horror vocabulary to muster what jumps it can, and is pretty nice to look at. But only the really good horror films know how to end on a high note, and this isn't one of them.
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Time Out
Resource

February 22, 2016

The silly, hand-me-down scares just don't chill.
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Chesapeake Family Magazine
Resource

August 02, 2016

Disturbingly manipulative and yet totally conventional, The Forest is more memorable for being opportunistic than for being truly frightening.
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