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The Descent
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The Descent

Description
A woman goes on vacation with her friends after her husband and daughter encounter a tragic accident. One year later she goes hiking with her friends and they get trapped in the cave. With a lack of supply, they struggle to survive and they meet strange blood thirsty creatures.
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The Descent
CRITICS OF "The Descent"
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Cinemaphile.org
Resource

July 31, 2014

Here is a movie so precise and cautious with its material that every moment, every suggestion or action, becomes an experience that involves us to alarming lengths.
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Total Film
Resource

October 10, 2012

Tense, gory and masterfully malevolent.
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AV Club

August 05, 2006

The Descent sustains a level of intensity that most horror films can barely muster for five minutes.
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Kinetofilm
Resource

January 31, 2010

Director Marshall has obviously kept his DVD player spinning for days studying all of the classics and simply taking everything he needed like a Vanilla Ice "Under Pressure"
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Toronto Star
Resource

August 04, 2006

While the movie has wonderful moments of unmotivated tension that make sure we're quite ill at ease from the beginning, it's also got a few too many of the kind of cheap boo-scares that indicate a director not fully trusting his grip on you.
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Chicago Reader
Resource

September 24, 2007

This intermittently effective UK horror thriller carefully establishes the psychological relationships among the women, then squanders this calibrated and generally plausible setup with a series of crude, implausible, and scattershot horror effects.
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Seattle Times
Resource

August 04, 2006

Tight shots of women desperately wriggling through worm holes or teetering on a ledge overlooking an abyss create a claustrophobic effect, one that leaves the characters gasping for air and the audience breathing shallower.
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USA Today
Resource

August 04, 2006

For my money, [the] first 20 or so minutes are the best in the film. Once the real adventure gets underway in the cave, things get less interesting.
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Radio Times
Resource

October 06, 2013

Super-scary and vicious, both psychologically and physically, this cleverly produced chill-ride is edgy British horror at its very best.
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TIME Magazine
Resource

October 15, 2008

Marshall could very well be the Caravaggio of the B-movie.
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Suite101.com
Resource

September 25, 2010

Although Neil Marshall's attempt to justify the U.S. ending is admirable, the original ending is the only way out - providing a chilling bookend to a motif and suggesting what seems like cerulean-tinged peace is actually the solitary solace of madness.
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