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Shadow Dancer
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CREATORS OF "Shadow Dancer"
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HEROES OF "Shadow Dancer"
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CRITICS OF "Shadow Dancer"
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Vue Weekly (Edmonton, Canada)
Resource

December 27, 2013

Plays slyly with noir; adroitly twists and turns away from easy expectations in its final minutes. This thriller's got one sharp, savage ending. Marsh takes a black-eyed stare out from the gravestone-gray, waning days of the Troubles.
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Laramie Movie Scope
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November 19, 2013

The acting in this film is very good. The plot is lean and powerful. It is pretty depressing, but it seems true enough in its depiction of this troubled period of history.
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Boston Globe
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June 14, 2013

A tautly minimalist, occasionally generic study of betrayal and family ties.
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Movie Metropolis
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September 03, 2013

Despite solid performances, a slow first half takes away from this otherwise effective drama about an IRA sympathizer whose life becomes more complicated after she's coerced into spying for MI-5.
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Chicago Reader
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June 13, 2013

This British thriller by James Marsh is a little too neatly scripted and tightly edited for my taste, but there are galvanizing performances from Andrea Riseborough... and Clive Owen.
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Minneapolis Star Tribune
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June 27, 2013

A respectable political/psychological suspenser, but not a wildly entertaining or enjoyable one.
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Arizona Republic
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June 13, 2013

These are characters for whom true belief in a cause has probably become impossible; they know how much that costs. Marsh does a compelling job of illustrating that for the rest of us.
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Philadelphia Inquirer
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June 13, 2013

[Riseborough's] work is indrawn and riveting. It's hard to read the look in her eye, but we never stop trying.
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Ozus' World Movie Reviews
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December 16, 2013

A grim but measured and intelligent art-house slow-burner.
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St. Paul Pioneer Press
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June 27, 2013

It's absorbing, intelligent and sad.
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San Francisco Chronicle
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July 22, 2013

The film relies on terse dialogue and boggy colors to create an atmosphere dense with anxiety -- all well handled by director James March.
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Film Comment Magazine
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November 04, 2013

By the end, the film shows not only the power of this influence but also its terrible price in an often merciless conflict.
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