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Saving Banksy
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Saving Banksy

Description
Internationally known graffiti artist, Banksy, left his mark on San Francisco in April 2010. Little did he know that this act of vandalism would spark a chain of events that includes one of his rats being removed from a wall, Museums ignorantly turning down a free Banksy street work, and a NY gallerist who has made it his business model to remove Banksy street works from all over the globe doing whatever it takes to get the rat in his possession.
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DIRECTORS OF "Saving Banksy"
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CRITICS OF "Saving Banksy"
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Film Threat
Resource

February 14, 2017

Lively and well executed.
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Newcity
Resource

February 01, 2017

The interviews with street artists about the ethics of making art and taking art become the true subject... and a small, spirited conversation with graffiti artists and other passionate voices. The museum curators on view, not so much.
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Los Angeles Times
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January 19, 2017

[A] lively, involving documentary ...
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SF Weekly
Resource

January 19, 2017

Zbigniew Herbert's poetic prophecy of a rat becoming a unit of currency plays out in Colin M. Day's documentary Saving Banksy, which considers the tensions between street artists and their wealthy collectors.
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Village Voice
Resource

January 18, 2017

Inadvertently demonstrates that nearly every response to Banksy's work is wrong.
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New York Times
Resource

January 19, 2017

Fascinating ...
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Hollywood Reporter
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January 16, 2017

Day's debut succeeds in part thanks to its modest scope, viewing the street-art phenomenon through an attempt to rescue one of its highly perishable creations for the public good ...
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San Francisco Chronicle
Resource

January 18, 2017

Characters ranging from the benighted to the unsavory to the perfectly slimy populate the film, alongside the only figures who really have anything of substance to say: the artists themselves.
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NYC Movie Guru
Resource

February 03, 2017

As invigorating, illuminating, stylishly edited and captivating as Exit Through the Gift Shop.
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Willamette Week
Resource

January 18, 2017

The film grapples with the complicated issue of unsanctioned Banksy auctions, but it does so in a way that tends to oversimplify the motives of everyone involved.
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San Diego Reader
Resource

February 16, 2017

Not a patch on its conceptually oriented precursor Exit Through the Gift Shop, so long as the subject of filmmaking is avoided, this should spark lively debate on the drive home.
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Film Journal International
Resource

January 19, 2017

Fast-moving, beautifully produced documentary about an art collector's rescue of a famous piece of graffiti art.
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