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CREATORS OF "Push"
Push
CRITICS OF "Push"
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CinemaBlend.com
Resource

August 14, 2010

jThe script has no deep meaning and the film does just what it was intended to do: take an audience on a fantastical journey with loads of action.
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Fan The Fire
Resource

April 15, 2010

Set and filmed on location in bustling Hong Kong, the tight urban street and winding alleyways suit the film perfectly, but this is not enough to save Push from the Oscar season garbage dump.
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Chicago Sun-Times
Resource

February 06, 2009

Push has vibrant cinematography and decent acting, but I'm blasted if I know what it's about.
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Sydney Morning Herald
Resource

September 11, 2009

Push is a chase film dolled up with supernatural powers and chintzy retro design motifs.
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USA Today
Resource

February 06, 2009

A silly movie that is partially engrossing and plenty convoluted.
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The New Republic
Resource

February 06, 2009

Belle... is blank as a page, and the intended romantic chemistry between her and Evans is never in evidence.
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Boxoffice Magazine

February 06, 2009

Evans and 10,000 BC's Belle shuffle through a turgid romantic subplot, and though the two characters are very, very pretty, they've got the chemical spark of a banana.
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San Francisco Chronicle
Resource

February 06, 2009

There are many problems with Push, and most are the usual boring things: unnecessary plot loops; long, dumb musical interludes; a charmless script; and ostentatious action sequences in which the only person excited is the cameraman.
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BrianOrndorf.com
Resource

June 02, 2010

Push is an empty calorie extravaganza and demands a crooked concentration it doesn't earn to sufficiently piece this mess together.
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The Age (Australia)
Resource

September 11, 2009

McGuigan's saving grace is a willingness to slow down and savour his own images. At best, a moody inconsequence takes over and confusion feels like part of the plan.
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Time Out
Resource

February 19, 2009

Silliness rules the day: plot holes abound and are plugged with techno-pounding action sequences and more nonsensical guff. As a TV pilot, this might have worked; as a film, it's loud, confusing and inane.
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Suite101.com
Resource

September 16, 2009

Light fixtures are the true stars in "Push," constantly reflecting, twinkling and popping. Its best moments are when guns levitate and fire themselves. When you don't even need actors to hold pistols, it's the ultimate in autopilot filmmaking.
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