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Klute
CRITICS OF "Klute"
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Antagony & Ecstasy
Resource

September 15, 2009

One of the most important and influential movies of the early 1970s.
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Film4
Resource

August 30, 2009

Fonda is simply a revelation, beautiful, sassy and streetwise, and yet hauntingly vulnerable. She deserved her Oscar in a role she has never bettered.
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Time Out
Resource

February 09, 2006

For once, a genuinely psychological thriller.
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Kansas City Kansan

October 15, 2004

Fonda and Sutherland sizzle. A great story too.
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New York Times

May 21, 2003

Pakula, when he is not indulging in subjective camera, strives to give his film the look of structural geometry, but despite the sharp edges and dramatic spaces and cinema presence out of Citizen Kane, it all suggests a tepid, rather tasteless mush.
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TIME Magazine
Resource

August 30, 2009

[Fonda] makes all the right choices, from the mechanics of her walk and her voice inflection to the penetration of the girl's raging psyche. It is a rare performance.
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EmanuelLevy.Com
Resource

January 03, 2011

Playing a complex, sharpy written part, Jane Fonda won the Best Actress Oscar for her strongest dramatic performance in Alan Pakula's well mounted drmataic thriller
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Chicago Sun-Times
Resource

October 23, 2004

With Fonda and Sutherland, you have actors who understand and sympathize with their characters, and you have a vehicle worthy of that sort of intelligence. So the fact that the thriller stuff doesn't always work isn't so important.
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TV Guide
Resource

August 30, 2009

Sutherland is either an excellent sounding board for this nuanced portrait or he's a big zero, probably both. Fonda, however, transcends her limitations, making the most of her often forced quality as an actress.
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Shadows on the Wall

June 12, 2004

A knock-out
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Village Voice
Resource

November 24, 2015

A movie resolutely of its moment that still surges with third-rail electricity ...
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Nolan's Pop Culture Review

April 22, 2005

Fonda won an Oscar. Roy Scheider is her nasty pimp!
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