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Good Time
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Good Time

Description
Two brothers attempt a robbery and things go wrong. The younger brother gets jailed and the older brother does whatever he can to free his brother from the jail. He takes help from very dangerous people and finds himself tangled in a lot of mayhem.
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Good Time
CRITICS OF "Good Time"
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Adelaide Review
Resource

October 20, 2017

Robert Pattinson finally shakes off that Twilight shame with this tense, foul-mouthed and ironically-titled character/crime drama.
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ABC Radio (Australia)
Resource

October 18, 2017

It's intriguing, bold, exciting, fresh and urgent ... The first twenty minutes or so are staggering ... The original score, by Oneohtrix Point Never, is creepy, evocative and the best of the year thus far.
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Toronto Star
Resource

August 17, 2017

Pattinson makes Connie one of the best roles of his career by turning a two-bit hood into a loyal family guy driven to help his brother. John Steinbeck would recognize these characters. So would Martin Scorsese, who is thanked in the credits.
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sbs.com.au
Resource

October 12, 2017

... Good Time always leaves just enough room between the dramatics for the characters to reveal their humanity.
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Chicago Reader
Resource

August 17, 2017

Not since Gaspar Noé's Enter the Void have I been so mesmerized by a film I found morally repugnant.
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Globe and Mail
Resource

August 18, 2017

Tense, immersive and excellently assaulting, Good Time is hella time.
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Chicago Tribune
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August 17, 2017

Most crime movies, even alleged indies, make it easy for the audience to take sides and establish clear rooting interests. "Good Time" is better than that: It's not always easy to take, yet you can't look away.
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Washington Post
Resource

August 17, 2017

What starts out as an invigorating odyssey winds up becoming an enervating series of postures.
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The Australian
Resource

October 19, 2017

Good Time follows in the footsteps of Martin Scorsese's Mean Streets. The action keeps up a relentless pace as new characters are introduced.
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The Arts Desk
Resource

October 12, 2017

Getting big stars on screen and giving them such dark, meaty roles has amply paid off.
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Richard Roeper.com
Resource

August 18, 2017

Whatever the intentions of the filmmakers, Good Time is a promising but flawed final product.
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The Final Cut
Resource

October 12, 2017

Electricity pulses through the film - amped by Daniel Lopatin's grand slabs of retro-futurist synth - which also recalls the inventiveness and physicality of silent cinema comics like Buster Keaton.
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