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Girl (2018)
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Girl (2018)

Description
We always see the ballet dancers are girls but what can happen if the dancer is a girl with a boy body. In this dramatic movie, we follow Lara who is a young girl was born in the body of a boy and she hopes nothing but being a ballerina. With her body, she has to face a chain of difficulties and obstacles.
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CREATORS OF "Girl (2018)"
Girl (2018)
CRITICS OF "Girl (2018)"
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One Room With A View
Resource

February 13, 2019

Watch out for Polster, Worthalter, and especially Dhont. Anyone who can direct a film with such control, sensitivity and confidence on their first attempt has a bright future ahead.
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Battleship Pretension
Resource

January 16, 2019

If there's anything the increased visibility of transgender people in our culture has imparted above all, it's that gender is about more than genitalia. Girl, for all its pretensions toward allyship, regressively insists in the opposite direction.
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Salon.com
Resource

September 16, 2018

Dhost's nonjudgmental film doesn't traverse new territory for a trans film, and it features too much dancing, but it benefits from its authenticity.
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Bangkok Post
Resource

January 11, 2019

Lukas Dhont's debut feature is a moving portrait of a body in transition.
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Hollywood Reporter
Resource

May 14, 2018

Looks terrific, is not afraid to tackle a number of difficult subjects and features a star-making performance from acting and dancing talent Victor Polster.
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NPR
Resource

October 08, 2018

Where most queer films are about external conflicts and prejudice, Lara's primary conflict in this movie is with what she sees in the mirror.
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Variety
Resource

May 14, 2018

How to stand out and blend in at the same time? Few films convey that tension better than "Girl," a deeply humane first feature from Belgian director Lukas Dhont about a transgender teen who wants to be a ballerina.
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indieWire
Resource

May 16, 2018

This isn't just a trans story -- it's also a broader story of becoming, and the bold steps required to get there.
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BBC.com
Resource

January 24, 2019

One of the most agonisingly well-observed films about being an adolescent that I've ever seen.
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Film Inquiry
Resource

January 10, 2019

Dhont's film comes across as mere exploitation long before the bewildering third act, when it changes gears into a Black Swan-adjacent body horror that quickly loses the grip of reality.
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Los Angeles Times
Resource

December 27, 2018

It feels exploitative, rather than empathetic. But it's the irresponsible handling of the film's final, shocking scenes that is the most problematic.
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Shockya.com
Resource

January 13, 2019

An emotional roller coaster for the title character who must discipline herself for a tough-love ballet teacher.
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