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Fill the Void
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Fill the Void

Description
Fill the Void tells the story of Shira, a very devout Hasidic girl who is arriving at the point of her life where she is pressured into an arranged levirate marriage to an older widower, which is what happens in her community. 
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Fill the Void
CRITICS OF "Fill the Void"
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Bust Magazine
Resource

October 05, 2016

Burhstein's slow-paced, carefully edited work illuminates concepts of filial piety, female agency, and patriarchy.
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Movie Habit
Resource

May 23, 2014

Emotional issues an an insular world
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St. Louis Post-Dispatch
Resource

July 11, 2013

It's an artful, character-driven drama that constitutes a minor miracle of empathy.
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Reel Film Reviews
Resource

February 28, 2014

...an entertaining yet uneven debut from a promising new filmmaker...
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Boston Globe
Resource

June 20, 2013

Burshtein has achieved a gripping film without victims or villains, an ambiguous tragedy drawing on universal themes of love and loss, self-sacrifice and self-preservation.
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Washington Post
Resource

July 30, 2013

Beautiful and mysterious, the[se] first glimpses are an ideal primer for the Israeli film, which never rushes to spell out the meanings of its subtle and quiet moments.
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Chicago Sun-Times
Resource

June 14, 2013

[Burshtein] vividly depicts a clannish culture that is likely to feel foreign and perhaps off-putting to generations that came of age in a progressive post-feminist era.
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Newsday
Resource

June 20, 2013

Burshtein creates a one-of-a-kind portrait that nonetheless transcends its setting, and even its worldview; the dynamics are global.
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Tikkun
Resource

February 28, 2016

It's not a great movie, but it's a humane and touching one.
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Sight and Sound
Resource

February 06, 2014

As opposed to the bleak view of sexual subjugation in Kadosh, Amos Gitai's 1999 film about Hasidic marriage, Fill the Void sees Burshtein fortrightly and wittily asserting that this is how her community lives.
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Time Out
Resource

December 09, 2013

This is an extraordinary first film, nerve-tingling in its intensity, and assembled with a finesse and control even the great Austrian director Michael Haneke might envy.
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Newcity
Resource

April 09, 2014

A man and a woman, alone, on a path at night, forbidden to touch, speak, confront, describe passion: the man moves closer. That's all. The smallest of moves, infinitesimal motion. The world tilts on its axis.
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