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Eraserhead
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Eraserhead
CRITICS OF "Eraserhead"
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Sean Axmaker
Resource

January 13, 2017

"In heaven, everything is fine," but in Eraserhead (1977) nothing is fine. David Lynch's debut feature is grim, disturbed, mutated, claustrophobic, a world that appears to be unraveling-or, more accurately, decaying-before our eyes.
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Peter Ackroyd
Resource

September 29, 2015

It is the vision of the paranoid transposed upon the screen; the fact that it remains extremely interesting ought, I suppose, to be worrying. But perhaps our eyes have become so desensitised that nothing, any more, will widen the iris.
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Variety Staff
Resource

September 25, 2007

The mind boggles to learn that Lynch labored on this pic for five years.
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Fernando F. Croce
Resource

October 14, 2014

David Lynch never explains because he doesn't need to, his is the faith of the irrational, disconcertingly childlike in its illusionism.
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V.A. Musetto
Resource

January 17, 2007

Lynch, as he does with all his films, refuses to explain anything, although he does say that he has yet to read an interpretation that matches his.
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Tom Buckley
Resource

October 14, 2014

A murkily pretentious shocker.
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Nathan Lee
Resource

January 17, 2007

What a masterpiece of texture, a feat of artisanal attention, an ingenious assemblage of damp, dust, rock, wood, hair, flesh, metal, ooze.
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Dave Kehr
Resource

September 25, 2007

Some of it is disturbing, some of it is embarrassingly flat, but all of it shows a degree of technical accomplishment far beyond anything else on the midnight-show circuit.
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Eric Melin
Resource

December 13, 2015

Linear plots with easily defined cause and effect are the kinds of stories we are used to, but sometimes it's refreshing to enter a world where logic takes a backseat to purely evocative storytelling.
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Jason Solomons
Resource

October 14, 2014

David Lynch's Eraserhead must stand as a pinnacle of screen surrealism to rival Bunuel's Un Chien Andalou.
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Michael Wilmington
Resource

October 14, 2014

What makes Eraserhead great -- and still, perhaps the best of all Lynch's films? Intensity. Nightmare clarity. And perhaps also it's the single-mindedness of its vision.
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Peter Bradshaw
Resource

October 14, 2014

It's beautiful and strange, with its profoundly disturbing ambient sound design of industrial groaning, as if filmed inside some collapsing factory or gigantic dying organism.
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