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Delivery Man
A unexpected situation happens with Brett, a normal delivery, has just broken in love. One day, he discoveries that he has 533 children, which is the results of the anonymous sperm donations. Besides, he also gets into trouble with his 142 children.
12 March 1988, Philadelphia, Pennsylvania, USA
20 April 1983
22 December 2002, Voorhees, New Jersey, USA
18 April 1990, Charlotte, North Carolina, USA
28 April 1950, New Rochelle, New York, USA
June 21, 2016
While the story drags at times, Delivery Man is smart, funny, fresh and full of heart.
March 11, 2016
Stiff but tolerable.
November 22, 2013
Calling Delivery Man a "comedy" is a bit of a stretch, because it's rarely funny. Dumb, yes, but not in a way that's worthy of more than a half-hearted chuckle.
April 08, 2014
The sheer cognitive dissonance between being told that this character is nice and the baffling deception he pulls on hundreds of people is agonizing, and it makes the story horribly anti-dramatic.
November 22, 2013
"Starbuck" was a funny and warm-hearted trifle. So is "Delivery Man."
November 22, 2013
Softer and schmaltzier than the original. Vince Vaughn has played this guy before, to better effect.
November 22, 2013
Vaughn never quite convinces as the perpetual slacker in this blue-collar family (he doesn't even look like he's from the same gene pool) and too many of the characters feel puppeteered into place; you can see all the strings.
November 22, 2013
Delivery Man can be pegged as yet another in a seemingly endless series of Apatow-era man-child redemption stories ...
April 09, 2016
Vaughn fans will find enough laughs to justify the two hours, but the tonal issues will make it a hard sell for anyone else.
March 28, 2014
'Delivery Man' is a little like the main character: just good enough to make you care a little and smile a lot.
November 25, 2013
A golden comic premise, directed to dross by Ken Scott, who also made the Canadian original ("Starbuck," from 2011) on which this Vince Vaughn vehicle is based.
October 10, 2014
Delivery Man has a beginning, a middle and an end. And, for modern Hollywood, a pertinent everyman story to tell, too.
