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Cosmos
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Cosmos

Description
Two friends Witold and Fuchs discover mysterious items in a countryside guesthouse, including a hanging cat. Witold's reality mutates into a whirlwind of tension, histrionics, foreboding omens, and surrealistic logic as he becomes obsessed with Madame Woytis's daughter Lena, newly married to Lucien.
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Cosmos
CRITICS OF "Cosmos"
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Cinexcepción
Resource

November 16, 2016

A movie that, like the book, ends but doesn't quite concludes. Some ambiguity and the possibility of giving different ends to reality and to fiction are imposed. And the bewilderment, of course. [Full review in Spanish]
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Radio Times
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August 21, 2016

[An] intellectually playful and slyly subversive treatise on communication, freedom, identity and chaos that pays homage to a range of literary and cinematic influences, including Wojciech Has, Jacques Rivette and Luis Buñuel.
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RogerEbert.com
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June 17, 2016

Confined to a few locations and shaking with ecstasy, possibility and the torment of being alive, "Cosmos" is like absinthe distilled secretly in a prison cell.
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Empire Magazine
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August 18, 2016

Parodying the whodunit and the country house farce, this gleefully deranged romp is undeniably a head-scratcher. But it's also bold, witty and rewarding.
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New York Post
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June 16, 2016

It's a surreal piece of mischief, equal parts breezy fun and maddening confusion.
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Time Out
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August 15, 2016

At times astonishingly beautiful. The closing credits sequence alone is lovelier than some entire movies.
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AV Club
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June 16, 2016

From the hold-music smooth-jazz score to the overtly theatrical performances, everything about Cosmos is designed to confound.
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New York Times
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June 16, 2016

It is possible to appreciate Mr. Zulawski's perverse ingenuity, and to miss his eye and voice, without quite succumbing to the strenuous charms and overcooked provocations of "Cosmos."
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SciFiNow
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August 25, 2016

It's tricky not to be ensnared by the beguiling yet intriguing nature of it all.
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Boston Globe
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August 18, 2016

Nonstop, epistemological slapstick.
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Guardian
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August 18, 2016

Cultists can claim it as proof Żuławski was doing his own thing until the end, but the film didn't need releasing so much as sectioning for public safety.
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