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Body

Description
Three young women (Helen Rogers, Alexandra Turshen, Lauren Molina) face a moral dilemma when they accidentally kill a groundskeeper (Larry Fessenden) at a secluded mansion. When he turns out to not be dead after all, the friends disagree on how to proceed.
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Body
CRITICS OF "Body"
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About.com
Resource

December 21, 2015

With a generic title and a unsensational storyline, Body might not be remembered as readily as some other films, but that doesn't mean it's not worthy of standing out.
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Cinemalogue.com
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December 11, 2015

Despite a couple of clever twists to keep the plot churning, the characters lack sufficient depth to generate sympathy.
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New York Times
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December 10, 2015

Mishaps and conflicts ensue, some scarier and more credible than others, and some just plain irritating.
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Blu-ray.com
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December 10, 2015

A shockingly brief picture (68 minutes long before end credits) and not without its pressure points, but the feature lacks prolonged snap, only coming alive in certain charged moments.
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AV Club
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December 10, 2015

The film is well-acted, slickly made on a shoestring budget, and blessedly efficient, with a runtime that inches just past the one-hour mark, credits included. It's also nearly devoid of surprises ...
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RogerEbert.com
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December 11, 2015

"Body" may not be the kind of modern-day B-movie that wins awards, but it does exactly what it sets out to, and that's a fair amount. So go ahead: see this film for yourself. You won't know what hit you.
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Variety
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January 26, 2015

An uninspired thriller that would barely squeak past an hour's length without its drawn-out final credits.
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Village Voice
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December 10, 2015

On the surface a typical exercise in horror-film cliché, Body turns out to be a far more thought-provoking creature, a parable of adulthood and a stinging indictment of white-girl privilege.
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Movie Mezzanine
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December 17, 2015

Body mines heaps of tension from Cali and Holly's moral back-and-forth-but their dilemma might have cut deeper with better, less predictable characterization.
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Film School Rejects
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May 25, 2015

Helen Rogers has been dancing around the indie scene for years now but has been deserving of an even bigger audience since she injected heart into V/H/S' best segment.
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Globe and Mail
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April 22, 2016

A shoestring house-of-horrors exercise that just sort of, well, exists, with no real purpose or artistic vision driving it forward.
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Flick Filosopher
Resource

December 11, 2015

Women's friendships in dangerous situations are not something we see a lot of onscreen. But this ends up not really being about the women at all.
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