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An American Werewolf in London
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An American Werewolf in London
CRITICS OF "An American Werewolf in London"
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Seanax.com
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January 26, 2017

John Landis teaches us two things in An American Werewolf in London (1981): turning into a werewolf is a very painful process, and the dead are boring!
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People Magazine
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August 16, 2013

Landis maintains the delicate balance between horror and humor until the final scene's gratuitous series of car crashes.
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Chicago Reader
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September 23, 2007

It's a failure, less because the odd stylistic mix doesn't take (it does from time to time, and to striking effect) than because Landis hasn't bothered to put his story into any kind of satisfying shape.
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Cinema Crazed
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October 28, 2012

One of the few horror films that explore the psychological effects of lycanthropy alongside the physical and the fallout...
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New York Times
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November 05, 2002

When the movie backfires, which it finally does, it's because too much grisly footage has been used too lightly.
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Variety
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September 23, 2007

A clever mixture of comedy and horror which succeeds in being both funny and scary, An American Werewolf in London possesses an overriding eagerness to please that prevents it from becoming off-putting.
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ReelViews
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January 01, 2000

Considering its often campy competition, it's hard to argue that, if your in the mood for lycanthropy, London is the place to go.
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Chicago Sun-Times
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October 23, 2004

Seems curiously unfinished, as if director John Landis spent all his energy on spectacular set pieces and then didn't want to bother with things like transitions, character development, or an ending.
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Correcámara
Resource

November 07, 2016

A film that, despite 35 years of evolution in special effects, do not surpass the carnal naturalness of this one. [Full review in Spanish]
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Film4
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October 30, 2009

The best movie ever written by a teenager -- Landis was 19 when he penned the first draft - and a constant comic delight.
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Time Out
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October 30, 2009

Not just gory but actually frightening, not just funny but clever, 'American Werewolf...' has its flaws, but these are outweighed by the film's many, mighty strengths.
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Radio Times
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August 16, 2013

Director John Landis here pulls off the difficult trick of revitalising the horror genre while parodying it at the same time.
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