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Adore (perfect Mothers / Two Mothers)
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Adore (perfect Mothers / Two Mothers)

Description
This movie revolves around the lifelong friendship two women, Watts and Wright who gets to experience contentment in relationship which was surprising. The plot sheds a light on their friendship and how together they deal with the physical and psychological moments displayed in the movie.
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Adore (perfect Mothers / Two Mothers)
CRITICS OF "Adore (perfect Mothers / Two Mothers)"
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3AW
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November 21, 2013

There's more depth and feeling to the admittedly provocative premise of this twisted sexual drama than you might expect...It's the excoriating payoff to the story that makes Adoration a cautionary tale with a major sting.
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The Sunday Age
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November 17, 2013

Viewed again, far from the madding crowd and general hoo-ha of Sundance, it stands up much better than expected.
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Boston Globe
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September 12, 2013

Cast actresses with the skills that Naomi Watts and Robin Wright bring, give their obliviously icky story some arthouse visual lyricism, and you've got "Adore."
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TheWrap
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September 06, 2013

An exceedingly silly, sun-baked sex movie, the kind of import that adds just enough brains to its genitals to get into U.S. arthouses. (In the '70s, the mothers would have been played by Laura Antonelli and Sylvia Kristel.)
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Miami Herald
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September 19, 2013

This isn't an Oedipus complex. This is a Preposterous complex.
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Impulse Gamer
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January 19, 2014

This film needed serious judgment: someone to rewrite the underwritten draft of the script and to have a firmer opinion on these terribly unappealing characters
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RogerEbert.com
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September 07, 2013

Adore is, as my late mother would say in describing Sidney Sheldon novels, good trash.
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Quickflix
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November 18, 2013

The worst part of Adoration was when I returned to my car and had to pay for my parking, realising that the awfulness of the movie actually took a quantifiable toll on my life: 111 minutes, and $8.50.
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Time Out
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October 10, 2013

With its soap-operatic performances, bonkbuster plotline and sparkling seafront setting, all 'Adore' really lacks is a cameo from Alf Stewart
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Urban Cinefile
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November 14, 2013

Their world seems to hover between their own fantasy and the castrated culture which Fontaine creates. A nothingness envelops them
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